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Unfortunately, this attempt at a grand narrative falls flat in numerous ways.

Over the course of the brief campaign, you play as different Falconeers-people trained to ride giant falcons for the purpose of scouting, transport, and combat-for each of the various factions, all while a mysterious narrator puts the disparate pieces of the overarching story together. Various factions wrestle for control of this barren land, engaging in acts of political manipulation, skullduggery, and brute force to achieve their goals. The Falconeer’s story takes place in a fictional world covered almost entirely by the ocean, with small rock formations scattered across the seas serving as mankind’s only refuge. While some express reservations about these tactics, none condemn them, and you as a player must serve as a participant.

Other Negative Themes: Most of the characters and factions resort to subterfuge and manipulation, even to the point of putting innocent people in the crossfire. For the record, despite the fantastical nature of your weaponry, you are not technically using magic, as your ammo containers store lighting energy. Your falcon often bleeds when it takes damage, and everything explodes into nothingness upon destruction. Violence: As The Falconeer centers around aerial combat, you spend most of the game shooting adversaries out of the sky and sinking enemy warships with your energy cannon. The question is: does it capitalize on this golden opportunity? The Falconeer has a chance to stand out right now, as it not only has released at the launch of a new console generation but also serves as one of the few exclusives in Xbox’s anemic exclusive launch lineup. This year, developer Thomas Sala tries his hand at game-making with The Falconeer, an open world flight/action game. Still, passion projects made by solo developers can turn into beloved treasures, as evidenced by games like Stardew Valley and Undertale. Not many people take on the challenge of developing a video game all by themselves you have to wear a lot of hats and cover a lot of bases that other studios would tackle with lots of people.